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‘Shaitaan’ movie review: R Madhavan makes the mean monster shine opposite Ajay Devgn in this horror show.<br/>Backed by a poignant premise and powerful performances, director Vikas Bahl generates some genuine moments in eerie situations but surprisingly shows a straight bat in the slog overs.<br/>The film is a remake of the Gujarati horror film Vash (2023). Janki Bodiwala reprises her role from the original here. Kabir (Ajay Devgn) and Jyoti (Jyotika), along with their teenage daughter Jahnvi (Janki Bodiwala), and son Dhruv (Anngad Raaj) drive away to their remote farmhouse to spend some quality time. Their tranquillity shatters when a stranger. Vanraj Kashyap (R Madhavan), enters their world. He somehow takes complete control of Jyoti’s will and makes her a slave of sorts. She harms herself, almost kills her brother, slaps her father and fights with her mother. All this is brought out in visceral detail. The viewer is spared nothing. Kabir and Jyoti try vainly to get Janhvi to listen to them but to no avail. Things keep escalating. Vanraj wants to take away Janhvi but he would only do so with their explicit permission. We learn that he’s an evil tantrik who wants to take over the world. And must sacrifice a bevy of girls to do so. He succeeds in luring Janhvi away and now it’s up to Kabir to save her and other girls from being killed.<br/><br/>The film starts with a disclaimer that the film isn’t propagating superstition and then proceeds to do so for the next two hours. Vanraj equates himself to God, claims he can control anyone if he deems fit and indulges in the sort of mumbo jumbo even street magicians will steer clear off. The climax scene, which showcases mass hypnotism, features young girls all eager to throw themselves in a pyre. There’s no backstory as to why he’s become this instrument of evil. He’s made to spout some nonsense about controlling the life of everyone in the world and we’re supposed to believe that.<br/><br/>Ajay Devgn played a laid-back man who uses his wits to save his family in the Drishyam franchise and kind of steps back into the Drishyam mould again in this film. He’s perfectly cast as the super caring dad who keeps a close watch on his children but gives them ample freedom at the same time. He brings out the helplessness and dedication of a loving father who would do it all to save his world from falling apart perfectly well and looks good in action scenes as well. Jyothika, seen in a Hindi film after aeons, is cast as a caring mother who fights like a wounded lioness when it comes to saving her daughter. Her reactions look totally genuine. She uses her body language and expressive eyes to convey a range of emotions. She shares a good rapport with Ajay Devgn. It’s good to see middle-aged stars being cast together and acting their age. It’s a step in the right direction indeed. Madhavan and Jyothikha have acted in romantic comedies like Dumm Dumm Dumm (2001) and Priyamaana Thozhi (2003) earlier and have a reunion of sorts in Shaitaan. But
⏲ 2:8:9 👁 94.8M
Funny Angulia
⏲ 5 minutes 11 seconds 👁 10.5M
MS Creation Odisha
⏲ 5 minutes 3 seconds 👁 2.3M
‘Amar Singh Chamkila’ review: An off-key biopic of the iconic Punjabi singer.<br/>Amar Singh Chamkila - Full Movie | Diljit Dosanjh, Imtiaz Ali, A. R. Rahman, Irshad Kamil, Parineeti<br/>Imtiaz Ali’s Amar Singh Chamkila attempts to bottle the essence of a legendary Punjabi singer who evades easy categorisation. Murdered in 1988 at the age of 27 when he was at the height of his powers, Chamkila is an exemplar of the supernova who lives and dies for art.<br/><br/>Biopics on Chamkila have been previously announced and abandoned; at least one of them, starring Diljit Dosanjh, was completed but stalled by a lawsuit. Chamkila’s unsolved assassination shaped key plot points in Rohit Jugraj’s web series Chamak (2023). The difficulty of drawing definitive conclusions about Chamkila’s multi-faceted legacy led to Kabir Singh Chowdhry’s fascinating experimental docu-fiction Mehsampur (2018).Ali’s version, which is out on Netflix and is also led by Dosanjh, reaches for low-hanging fruit: who – or what – killed Chamkila?<br/><br/>The screenplay, by Imtiaz Ali and Sajid Ali, unfolds like a police procedural. Chamkila (Dosanjh) is gunned down along with his singer-wife Amarjot (Parineeti Chopra) soon after they arrive in Mehsampur for a concert. A police officer who dismisses the icon as a vulgarian learns about Chamkila’s hardscrabble background, overnight success, and the unwelcome attention he attracted for his bawdy, taboo-busting songs.I discovered the man who was born Dhani Ram, one man says. I gave him his stage name, another asserts. Inspired by the goings-on around him, Chamkila wields his tumbi like a magic wand, bewitching local listeners as well as the Punjabi diaspora. Yet, his fame cannot shield from him from the ire of militants, religious leaders and the police.<br/><br/>Dosanjh, Chopra, and a few other singers perform Chamkila’s original songs in Punjabi, with the Hindi translations appearing on the screen. AR Rahman’s Punjabi pop-inflected Hindi soundtrack is woven into the musical-like saga. (Punjab is called Panjab throughout the movie.)The hot-blooded account of a cold case includes animation, split screens and footage of the real Chamkila and Amarjot. There is enough archival material included in the film to make the heart yearn for a straight-up documentary.<br/><br/>The music video-level aesthetic creates enough momentum to distract from how mundane the movie turns out to be. Chowdhry’s Mehsampur suggested that the aura around Chamkila was too thick to penetrate, especially by filmmakers who had not breathed the same air as him. Ali is untrammelled by such concerns. Having bagged the rights to Chamkila’s music catalogue, and having recruited big-name talent, Ali sets out to Bollywoodise the folk performer.The biopic is fixated on the explicit lyrics that put Chamkila on the top of charts and hit lists. Ali’s recent projects similarly focus on sexual matters, including the shows She, about a repressed police constable, and Dr Arora, about a sexologist.
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SRUSTI MUSIC
⏲ 5 minutes 7 seconds 👁 26.7M
Jeet Brothers Creation
⏲ 8 minutes 31 seconds 👁 4.4M
Academy Award-winning visionary filmmaker Kevin Costner directs New Line Cinema’s vast Horizon: An American Saga Chapters One and Two, a multi-faceted chronicle covering the Civil War expansion and settlement of the American West. A story of America too big for one film, this true cinematic event also stars Costner, who co-writes with Jon Baird (“The Explorers Guild”) and produces through his Territory Pictures.<br/><br/>In the great tradition of Warner Bros. Pictures’ iconic Westerns, “Horizon: An American Saga” explores the lure of the Old West and how it was won—and lost—through the blood, sweat and tears of many. Spanning the four years of the Civil War, from 1861 to 1865, Costner’s ambitious cinematic adventure will take audiences on an emotional journey across a country at war with itself, experienced through the lens of families, friends and foes all attempting to discover what it truly means to be the United States of America.<br/><br/>Costner stars alongside an impressive ensemble cast that includes Sienna Miller, Sam Worthington, Jena Malone, Owen Crow Shoe, Tatanka Means, Ella Hunt, Tim Guinee, Danny Huston, Colin Cunningham, Scott Haze, Tom Payne, Abbey Lee, Michael Rooker, Will Patton, Georgia MacPhail, Douglas Smith, Luke Wilson, Isabelle Fuhrman, Jamie Campbell Bower, Alejandro Edda, Wasé Chief, Michael Anganaro, Angus Macfadyen, Jon Beavers, Alex Nibley, Kathleen Quinlan, Etienne Kellici, Amos Jason Charging Cloud, Bodhi Okuma Linton, Gregory Cruz, James Russo, Jeff Fahey, David O’Hara, Chris Conner, Leroy M. Silva, Bernardo Velasco, Tom Everett, Glynn Turman, Giovanni Ribisi and more.<br/><br/>Costner returns to directing for the first time since his 2003 critically acclaimed hit “Open Range,” and revisits Civil War-era America, the setting for his 1990 blockbuster and directorial debut, “Dances with Wolves,” which won seven Academy Awards, including Best Picture and Best Director. He produces alongside Howard Kaplan and Mark Gillard, with Danny Peykoff, Robert Scannell, Armyan Bernstein, Charlie Lyons, Barry Berg and Rod Lake executive producing.<br/><br/>Costner is joined behind the camera by director of photography J. Michael Muro (“Billionaire Boys Club,” “Parker”), production designer Derek R. Hill (“Tom Clancy’s Jack Ryan,” “The Magnificent Seven”), editor Miklos Wright (“For All Mankind,” “Open Range”) and costume designer Lisa Lovaas (“Ambulance,” “Transformers: The Last Knight”). The music is by Oscar nominee John Debney (“The Passion of the Christ,” “The Greatest Showman”).<br/><br/>A New Line Cinema presentation of a Territory Pictures production, “Horizon: An American Saga” will be distributed by Warner Bros. Pictures. The films will be released in theaters Across North America, the first on June 28, 2024, the second on August 16, 2024, and in select international markets—Spain and UK on those same respective dates, and Holland and Italy on 4 July and 15 August.<br/><br/>Horizon: An American Saga will be released in the UK by Warner Bros. Pictures on 28th June, 202
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Funny Angulia
⏲ 5 minutes 41 seconds 👁 10.9M
Bunty R Samal - Topic
⏲ 3 minutes 45 seconds 👁 180
Pushpa 2 - The Rule - Written and Directed by Sukumar. Produced by Naveen Yerneni and Y. Ravi Shankar of Mythri Movie Makers in Association with Sukumar Writings, the Film Stars Allu Arjun, Fahadh Faasil, Rashmika Mandanna, Dhanunjay, Rao Ramesh, Sunil, Anasuya Bharadwaj & Ajay Ghosh. The film's Music Is Composed by Devi Sri Prasad.<br/><br/>Song Credits:<br/>Singer: Mika Singh , Nakash Aziz<br/>Music: Rockstar DSP (Devi Sri Prasad)<br/>Music Label: T-Series<br/><br/>Film Credits:<br/>Story: Screenplay-Direction Sukumar Bandreddi<br/>Producers: Naveen Yerneni, Ravi Shankar Yalamanchili <br/>CEO: Cherry<br/>Music: Devi Sri Prasad<br/>Cinematographer: Miresłow Kuba Brożek<br/>Production Designer: S. Ramakrishna - Monica Nigotre<br/>Lyricist: Raqueeb Alam<br/>VFX Supervisor: Kamala Kannan<br/>Costume Designers: Deepali Noor - Sheetal Sharma<br/>Fights: Peter Hein, Kecha Kamphakdee, ”Dragon” Prakash, Nabakanta<br/>Choreographers: Prem Rakshith, Ganesh Acharya, Vijay Polaki, Shrashti Verma<br/>Character Designer: Preeti Sheel Singh <br/>CFO: Ch Nagabhushanam<br/>Executive Producer: Baba Sai Kumar Mamidipalli<br/>Chief Executive Producer: Kvv Bala Subramaniam<br/>Co-Director: Vishnu<br/>Banners: Mythri Movie Makers in Association with Sukumar Writings<br/>Pro: Eluru Srinu, Maduri Madhu<br/>Marketing - First Show Online Services Pvt Ltd <br/>Publicity: Max Media <br/>Branding: K R Siddharth<br/>Mix Engineer - Bipin<br/>DI & Sound Mixing: Annapurna Studios<br/>Sound Design: Resul Pookutty and Vijay Kumar<br/>Visual Promotion Team -Meganathan, Newton Prabhu, Yogi D.F.Tech, Vensan W, Dinesh
⏲ 4:20 👁 140K
Bunty R Samal - Topic
⏲ 4 minutes 20 seconds 👁 175.2K
Bunty R Samal - Topic
⏲ 4 minutes 23 seconds 👁 1.3K
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