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Search Results - Showing 60 - 72 Of 127
A fair Chance: Blackmagic Pocket 4KFuji MK cine lenses
⏲ 1 min 76 sec ✓ 29-Mar-2019
MTF VIDEO 1
⏲ 89 sec ✓ 18-May-2021
Backfocus Demonstration with the Metabones Speedbooster
⏲ 1 min 72 sec ✓ 28-Apr-2015
Naked Truth #1
⏲ 87 sec ✓ 23-Jun-2016
ENG to AF100 Lens Mount Comparison: HDx2 vs. B4 to m4 3
⏲ 1 min 62 sec ✓ 14-Sep-2011
Music Tech Fest @ IRCAM
⏲ 10 min 9 sec ✓ 25-Nov-2014
Our Story - Resonate Showreel
⏲ 1 min 70 sec ✓ 21-Oct-2015
Cooke miniS4 i + Canon C500 Leitner Test Footage HD Chapter Seaside HD
⏲ 1 min 26 sec ✓ 18-Mar-2014
1st SONY F3 Test in Tbilisi, Georgia
⏲ 1 min 24 sec ✓ 24-Jun-2011
The moon on an EX3
⏲ 25 sec ✓ 24-Oct-2008
DAWN - TRAILER_HD
⏲ 53 sec ✓ 27-Jan-2016
Cooke miniS4 i + Canon C500 Leitner Test Footage HD Chapter Summer HD
⏲ 1 min 65 sec ✓ 18-Mar-2014
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_music-tech-fest-ircam.jpg "Extracted from original live stream: http://bambuser.com/v/5098154nnMusic Tech Fest is the global Festival of Music Ideas. It’s a free, weekend-long event that provides an experimental and improvisational space where ideas are showcased, performed, demonstrated and discussed. It’s a place where musicians and hackers come together to collaborate and try things out. It’s about sharing your idea with a community. It’s a place where industry and academics, artists and technologists come toge")
_a-fair-chance-blackmagic-pocket-4k-fuji-mk-cine-lenses.webp "ilmed with the Blackmagic Pocket 4K and Fujinon MK 18-50mm T2.9 and the 50-135mm T2.9. These are E-mount lenses with a user changed lens mount by MTF services. nnThe audio was recorded using an old 360 degree microphone I had. It was actually recorded about 8 years ago when I was down there filming with the ARRI ALEXA. The audio was so good that it is great to use it again!nnFilmed in one of my absolute favourite places in the UK, Dungeness in Kent. nnFeaturing Veronica Jean Trickett. nnMusic by")
_mtf-video-1.webp "MTF VIDEO 1 from mtf")
_backfocus-demonstration-with-the-metabones-speedbooster.webp "We all know the benefits of the Metabones Speedbooster, the increase in light transmission, the recovery of a lens angle of view, Canon EF lens control, declicked aperture on Nikon G lenses and overall increase in MTF but not many mention the back focus adjustment that the adapter gives you.nnAny Positive Lock lens mount offers the user backfocus adjustment via metal shims, this allows a Prime lens to have accurate marks and gives compatible Zoom lenses a Parfocal function. To have this adjustme")
_naked-truth-1.webp "Bart vraagt Jo")
_eng-to-af100-lens-mount-comparison-hdx2-vs-b4-to-m4-3.webp "http://gearjones.com/nnWhich is the better option for running an ENG lens on your large sensor camera, a B4 to m4/3 adapter or the Abel Cine HDx2 B4 to PL optical adapter?nnIn a recent post I spoke with DP Sean Simmons about his experience with the Abel Cine- IB/E Optics HDx2 B4/PL optical adapter which allows him to use his Canon HJ11 x 4.7-52mm F1.9 HD ENG lens with with his AF100. The HDx2 is an optical doubler that expand the image projected by the 2/3” lens to cover a larger sensor, lik")
_music-tech-fest-ircam.webp "Extracted from original live stream: http://bambuser.com/v/5098154nnMusic Tech Fest is the global Festival of Music Ideas. It’s a free, weekend-long event that provides an experimental and improvisational space where ideas are showcased, performed, demonstrated and discussed. It’s a place where musicians and hackers come together to collaborate and try things out. It’s about sharing your idea with a community. It’s a place where industry and academics, artists and technologists come toge")
_our-story-resonate-showreel.webp "Our Story - Resonate Showreel from mtf")
_cooke-minis4-i-canon-c500-leitner-test-footage-hd-chapter-seaside-hd.webp "Codex S recorder used to Capture 1920 x 1080 at 23.98 p (24 fps equivalent)nno compressionnRGB 4:4:4 for full color spacen12-bit for wide dynamic rangenCanon Log to protect 12-stop latitudenISO 850 for best Canon Log resultsnhigh MTF due to C500 4k sensornno visible aliasingnno deBayering, no recostruction errorsnsignle 3G-SDI linknno lens filters used in these scenesnTo record 59.94p, Codex S used 3:1 compression to input RGB 4:4:4 10-bit from the C500nTo record 119.88p, Codex S used at 3:1 com")
_1st-sony-f3-test-in-tbilisi-georgia.webp "SONY PMW-F3, MTF Nikon-PL Adapter, Zeiss Prime Lenses 35,50,85, Redrock & Letus Rig, Redrock Matte Box & Follow Focus, Nano Flash Iframe 280 mb, No Lights, No Grip, Music: Sisters Ishkhnelebi, Text: Ioseb Jugashvili ( STALIN ) Yes :)) STALIN. Camera is Amassing.")
_the-moon-on-an-ex3.webp "The moon shot on a Sony EX3 and a Nikon 400mm f2.8 using an adapter from Mike Tapa at MTF services.nnThe whole rig was anchored to a Miller DS20 tripod.As far as I can make out the shimmer is heat haze and other atmospheric distortions with maybe a touch of vibration.")
_dawn-trailer-hd.webp "'It's always darkest before Dawn...'nnThe new short from Up and Up Productions and Kat Life Films. Starring Nicole Gibson and Harry Rundle. Written and directed by Jake Graf. Produced by Kat Holmes. Cinematography by Lorenzo Levrini. Edited by Giorgio Galli. Original score by Justine Barker.")
_cooke-minis4-i-canon-c500-leitner-test-footage-hd-chapter-summer-hd.webp "Codex S recorder used to Capture 1920 x 1080 at 23.98 p (24 fps equivalent)nno compressionnRGB 4:4:4 for full color spacen12-bit for wide dynamic rangenCanon Log to protect 12-stop latitudenISO 850 for best Canon Log resultsnhigh MTF due to C500 4k sensornno visible aliasingnno deBayering, no recostruction errorsnsignle 3G-SDI linknno lens filters used in these scenesnTo record 59.94p, Codex S used 3:1 compression to input RGB 4:4:4 10-bit from the C500nTo record 119.88p, Codex S used at 3:1 com")
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