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Ibogaine University Review
⏲ 14 min 5 sec ✓ 18-Sep-2016
2017 - Marsian De Lellis: Artist Statement
⏲ 1 min 79 sec ✓ 31-Oct-2017
RE_EMBODIED
⏲ 3 min 16 sec ✓ 15-Apr-2021
Affective State Istanbul A Tale of Existence
⏲ 1 min 55 sec ✓ 04-Oct-2011
Closed Beginnings
⏲ 14 min 49 sec ✓ 06-Apr-2020
Theorem: Elizabeth Bradfield & Antonia Contro
⏲ 2 min 6 sec ✓ 29-Nov-2020
RAGGEDY ANN TO REAL DOLL - Live Stream, Los Angeles Contemporary Exhibitions, 6 8 16
⏲ 87 min 33 sec ✓ 19-May-2017
Embodied Image - Perfomancewith the dancer Hiie Saumaa filmed by Chris Lee
⏲ 4 min 0 sec ✓ 11-Nov-2020
South America 2017: CUSCO, PERU
⏲ 4 min 49 sec ✓ 16-Nov-2017
Eva Petrič: Hematoma@Cdur
⏲ 2 min 31 sec ✓ 18-Sep-2021
Holy Foot (2010) القدم المقدس
⏲ 1 min 73 sec ✓ 05-Nov-2013
Sok (2019), excerpt(s)
⏲ 87 sec ✓ 27-Nov-2019
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_ibogaine-university-review.webp "Here is an Ibogaine University Review by Veronica from Pennsylvania, PA. She states her recent and past experiences and opens up to us on how Ibogaine has effected her life. We explore the spiritual and physical aspects of her life while getting a deep understanding of the people at Ibogaine University and the outcomes it produces.nnCheck out the transcription below!nnWhat brought you here?nnI recently came in contact with a friend who had come here himself. And Ibogaine came into my “sphere")
_2017-marsian-de-lellis-artist-statement.webp "Tax-deductible donations can be accepted through Fractured Atlas: https://shar.es/1PlFYonnAs an interdisciplinary artist and writer who constructs installations and time-based visual narratives that memorialize obsessional lives, I draw inspiration from offbeat characters whose private manias become public fodder for tabloids and reality television.My subjects may be other people, but their struggles are highly personal.I combine dolls, artificial figures, performing objects, and elaborate c")
_re-embodied.webp "This interdisciplinary piece is my quest to reclaim the unadulterated body, free from societal disguise, unencumbered by constructs of an imposed identity, unwilling to conform to the dictates of a conditioned world.nnUtilizing a multi-media of video dance, print and digital poster design, I dissect the multiple layers of a fractured reality that veils our bodies and inhibits our most authentic expression. I shake away the body’s eclectic, exposing it as an emotional and mental dumpster of hab")
_affective-state-istanbul-a-tale-of-existence.webp "Exhibition DocumentationnnnSINGLE DOME :nnA TALE OF EXISTENCE / BİR VAROLUŞ HİKAYESİnby artists and project managers Lalin & Suzin AkalannnThe Video is a footage from")
_closed-beginnings.webp "We had originally planned the Closed Beginnings premiere performance as part of our Sound Art series at MPavillion in collaboration with Monash University Museum of Art.nnThen the COVID-19 crisis hit.nnSo we shifted our plan to turn the concert into live stream from WeFo Studios in West Footscray.nnOn the morning of that performance Premier Andrews asked that no one leaves their homes unless they are involved in ‘essential services’. Even though our work is not proscribed, we felt that it wa")
_theorem-elizabeth-bradfield-amp-antonia-contro.webp "Browse")
_raggedy-ann-to-real-doll-live-stream-los-angeles-contemporary-exhibitions-6-8-16.webp "RAGGEDY ANN TO REAL DOLL was performed at Los Angeles Contemporary Exhibitions , Wednesday, June 8th, 2016 as part of Irrational Exhibits 9 💉 How do we negotiate our idea of personal identity in an ever-shifting landscape of technologies that can drastically alter and re-map the body? In Raggedy Ann to Real Doll, I dissect what is just beneath the surface of our collective preoccupation for physical perfection. Transforming the storefront window of LACE into an operating theatre, I perform ex")
_embodied-image-perfomance-with-the-dancer-hiie-saumaa-filmed-by-chris-lee.webp "EMBODIED IMAGEnPerformance by Hiie Saumaa - Video by Chris Leenin echo to the exhibiton Beyond the Frame : Image in action nnHiie Saumaa – dancer, choreographernChris Lee – videographer, editor nn“In this video, I performed an embodied exploration of the artworks exhibited at “Beyond the Frame: Image in Action.” I focused on each of the works by each of the ten artists n nI bringbodily sensations, intuitive physical responses, and embodied, somatic wisdom to the experience of viewing")
_south-america-2017-cusco-peru.webp "I’ve wanted to travel to South America with Bebe Ko but only had the chance to do it this year. Being an organized person, I made sure to arrange our 15-day itinerary even up to the tiniest detail. I even made an Excel file so I could refer to it should there be anything that I haven’t listed yet. :) It was also Bebe Ko’s 36th birthday so I ensured that everything would go as planned. nnHaving a Philippine passport, the easiest and fastest route for Mark and I to get to Peru is via Brazil.")
_eva-petri-hematomacdur.webp "Eva Petrič: HEMATOMA@Cdur - a multimedia installation at the exhibition Hematoma Dream, Curator Vasja Nagy, Photo Festival Maribor 2021, Gallery DLUM.nnMy skin, the skin of…32 collars, six generations, 172 napkins, 12 pillows, “La baie de Douarnenez” ,25 souvenirs, thousands of hours, miles of thread, traces of names, memories, voices, smells, sounds, emotions... nMy skin, your skin is so much more then just the membrane separating me from you. Its lines connect, intersect, dissect")
_holy-foot-2010.webp "When I was a child, I used go with my mother to Al-Sayyid Al-Badawi *Mosque in Tanta**, especially in the nights preceding my school exams, to recite Surat Al-Fatiha and to pray to God Almighty to enlighten my heart and mind and to guide me to the right answers. Then, I used to stand under the feet of the Prophet, peace be upon him, to acquire his Barakah and to seek forgiveness.nThe footprint of the Prophet on this black basalt stone had a major force and eeriness on me. Every week, especially")
_sok-2019-excerpts.webp "Skowhegan 2020 Application Video 1nnSok (2019) excerpt(s)n16 minutes total running timenperformance-film. 16mm film, choreographynnnSynopsis:nSok, a film-performance, dissects the behaviors and internal dialogue of a woman, Emilia Aalto, driving perpetually around Iceland along Route 1, who pitches her tent inside the back of her car at night. In an underlying narrative the film dissects the double negative absence of a non-binary body in societal structure that negates its existence. In extensi")
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