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Reel 12
⏲ 47 sec ✓ 14-Feb-2012
Z-Axis Lecture Series :: Aaron Koblin
⏲ 38 min 45 sec ✓ 29-Apr-2013
Director of Photography Reel - Commercial Promotional Documentary Fashion
⏲ 2 min 22 sec ✓ 28-Aug-2014
A brief presentation of FL@33's website bzzzpeek.com
⏲ 5 min 27 sec ✓ 08-Mar-2021
Evan Roth and Andreas Müller
⏲ 8 min 30 sec ✓ 09-Jan-2009
Warren Lehrer performs excerpts from A Life In Books: The Rise and Fall of Bleu Mobley
⏲ 1 min 56 sec ✓ 26-Sep-2010
Aaron Koblin, see conference 2009
⏲ 27 min 6 sec ✓ 18-Dec-2009
Typographics 2020: Exploring type and culture by … misusing technology with Kelli Anderson
⏲ 13 min 28 sec ✓ 18-Sep-2020
Typographics 2018: \
⏲ 12 min 13 sec ✓ 31-Jul-2018
Typographics 2018: Keedy Sans Back and Forth, or Postmodernism‚—‚An Incomplete Project with Mr. Keedy
⏲ 17 min 38 sec ✓ 05-Nov-2018
Typographics 2017: Type in Stereo with Forest Young
⏲ 8 min 80 sec ✓ 15-Dec-2017
Typographics 2017: Handwriting–Our Personal Typography with Agnieszka Gasparska
⏲ 19 min 91 sec ✓ 15-Dec-2017
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_reel-12.webp "05:00-07:00")
_z-axis-lecture-series-aaron-koblin.webp "Aaron Koblin is an American digital media artist best known for his innovative uses of data visualization and crowdsourcing. He is currently Creative Director of the Data Arts Team at Google in San Francisco, California. On April 10, 2013, he spoke at the Frank-Ratchye STUDIO for Creative Inquiry at Carnegie Mellon.nnKoblin's artworks are part of the permanent collections of the Victoria and Albert Museum (V&A) in London, the Museum of Modern Art (MoMA) in New York, and the Centre Georges Po")
_director-of-photography-reel-commercial-promotional-documentary-fashion.webp "Director of Photography Reel - Commercial Promotional Documentary Fashion from moma google")
_a-brief-presentation-of-fl3339s-website-bzzzpeek-com.webp "A brief presentation of FL@33's website bzzzpeek.com.nnFL@33 PRESENTS BZZZPEEK.COMn2002—ongoing project, improved design: 2011n___ This hugely popular, award-winning and self-initiated FL@33 project is presenting a collection of onomatopoeia from around the world using sound recordings from native speakers imitating the sounds of mainly animals and vehicles. The online collection focuses on the pronunciation and comparison of these sounds by presenting them side by side as each language expres")
_evan-roth-and-andreas-mller.webp "A conversation with Evan Roth and Andreas MüllernFilmed at FITC Toronto 2007nThe Design & Technology FestivalnMore info at www.fitc.cannEvan RothnEvan Roth is a maker of things with a specific interest in tools of empowerment, open source, and popular culture. Currently Roth is teaching MFA courses at Parsons ranging from visual programmingto internet fame to geek graffiti , and is in the process of co-founding F.A.T.(Free Art & Technology), Brooklyn's first and only R&D lab for")
_warren-lehrer-performs-excerpts-from-a-life-in-books-the-rise-and-fall-of-bleu-mobley.webp "BOOK LAUNCH NEW YORK CITY NOVEMBER 1st! For Full tour and schedule, Chicago, Boston, Los Angeles, San Francisco, Miami and more: http://www.alifeinbooks.net/Warren Lehrer’s A LIFE IN BOOKS: The Rise and Fall of Bleu Mobley, an illuminated novel that contains 101 books within it, all written and designed by Lehrer’s protagonist, who finds himself in prison looking back on his life and career. Mobley’s autobiography/apologia is paired with a review of all his books. Each book is represente")
_aaron-koblin-see-conference-2009.webp "Aaron Koblin spoke at")
_typographics-2020-exploring-type-and-culture-by-misusing-technology-with-kelli-anderson.webp "This talk took place on July 24, 2020 as part of Typographics Conference. The livestreaming, recording and archiving of the event is made possible with the generous support of Google Fonts. nnDuring the pandemic, I’ve been busy recreating digital/technological processes with what has been on-hand: craft materials. I’m exploring how MetaFont reconceptualized the question of ‘what is a letter?’ in an animated paper pop-up. I’m working on an interactive modular typography device using a c")
_typographics-2018-92.webp "This talk took place on Friday, June 15, 2018 in The Great Hall at The Cooper Union as part of the Typographics Conference. This recording was made possible by a generous sponsorship from Google Fonts. nnWhat connects Batman, Wonder Woman, Thomas Edison, Madonaa, Bazooka Joe, and Alfred E. Neuman? Is it type?! Is it graphic design?! Who is Peter Cooper? Tune in and find out!nnMike Essl is a graphic designer, educator, and Mr. T memorabilia collector. With over twenty years in the field, Essl’s")
_typographics-2018-keedy-sans-back-and-forth-or-postmodernisman-incomplete-project-with-mr-keedy.webp "This talk took place on Friday, June 15, 2018, in the Great Hall at The Cooper Union as part of Typographics Conference. This recording was made possible by a generous sponsorship from Google Fonts.nnIn 1991 Emigre magazine released a new digital typeface that set out to “willfully contradict expectations” and help usher in the postmodern era of typography. Twenty-eight years later the project is expanded and brought to completion. In typography and type design the past is always present,")
_typographics-2017-type-in-stereo-with-forest-young.webp "This talk took place on Friday, June 16, 2017 in The Great Hall of The Cooper Union as part of Typographics. Special thanks to Google for their support of the 2017 video archive.nnAn exploration of typographic intent through personal and professional work that addresses the themes of accessibility and universality. Applying humor, remixing, and critique to typographic expression, Forest Young’s work questions the hidden forces behind type at scale.nnForest Young is a designer and educator. He")
_typographics-2017-handwritingour-personal-typography-with-agnieszka-gasparska.webp "This talk took place on Friday, June 16, 2017 in The Great Hall of The Cooper Union as part of Typographics. Special thanks to Google for their support of the 2017 video archive.nnAs visual communicators we all know that every typographic decision we make has the power to shape the meaning of the information we are communicating, but what about the other typography – the one that doesn’t make it into the final product? The one that hardly anyone ever sees? Not the one commodified into thousa")
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