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In joining our forces with Runnymede Trust, we have collaborated on commissioning two short films that resonate with our ethos and project themes.nnWe are pleased to announce our second commission, Alors on Danse by Director, Choreographer, and Creative Producer of Afrique Au Monde, Irene Ashu.nn

Alors on Danse, promo video by Irene Ashu

⏲ 15 sec ✓ 28-May-2019

In joining our forces with Runnymede Trust, we have collaborated on commissioning two short films that resonate with our ethos and project themes. We are pleased to announce our second commission, Alors on Danse by Director, Choreographer, and Creative Producer of Afrique Au Monde, Irene Ashu. nn

Alors on Danse (trailer)

⏲ 34 sec ✓ 28-May-2019

“SYNCOPATIONS”nnBY BONNIE COHENn2018nFUNDED THROUGH OHIO PERCENT FOR ART PROGRAM CENTRAL STATE UNIVERSITYn nGandhi’s words, a prayer for a purposeful life, evoke the rhythm of song and dance and poetry. Each line begins with “your,” focusing us inward before we can take the next step. The rhythmic sequence then builds like a drumbeat to an uplifting crescendo: that we are the creators of our own destiny. nnGandhi’s words are framed with visual symbols and references to pay homage to

Central State University Student Center Percent for Art Commissionby Bonnie Cohen

⏲ 2 min 9 sec ✓ 10-Nov-2018

Emmanuel NapsNkweyang skillfully employs African concepts which he incorporates into his cultural performances to reach audiences around the world. The cultural performing arts education that he received from his father, the elders and the ancestors of his village in Yabassi, Department of Kam, Province of Littoral, Bamileke culture have been his guides. For PERFORMANCE TWO - Titled: KUOOH-NDEUNEMIAH (Bakwa) – PARDONNE MOIS (French) - HAVE A MERCI (English)- This Cameroonian dance and drum

Emmanuel Naps Nkweyang - Cameroon - Tribal Night - Baobab Stage - Act 2 - HAVE MERCI

⏲ 1 min 29 sec ✓ 05-May-2016

Some prominent South African musicians discuss the role of music and theatre in publicising black consciousness and anti-apartheid movements in their homeland. There are excellent performances of Nkosi sikelel' iAfrika by Family Factory and the Soweto String Quartet, and excerpts of interviews with Hugh Masekela, Michael Masote and others.nnBetween 1948 and 1991, South Africa was a nation of diverse ethnicities and tribal groups, however a stringent series of laws and regulations - collectively

Music and apartheid in South Africa

⏲ 6 min 2 sec ✓ 07-Feb-2021

Rabeda is a colorized, reversed, decelerated, delayed, and otherwise digitally distorted version of Peter Kubelka’s 1957 experimental film, Adebar. Using the original film’s seemingly sardonic cultural juxtaposition of European dance club imagery with an African tribal soundtrack, one intention of this new piece was to further amplify the ambiguous elements of an already largely ambiguous and often misunderstood work, while creating a separate and new aesthetic out of these initial image and

⏲ 1 min 19 sec ✓ 29-Apr-2017

Thursday, December 8, 2022 nnWith generous support from the Mark and Mary Goff Fiterman Fund, the Friends of the Institute present Artspace Projects, The Nuances of Our Approach: Why Artspace delivers community-based development across the country and how they support culturally distinct communities, creative districts, and artsthis important effort was funded by the Ford Foundation. Tio is also a practicing poet, and a graduate of the University of Minnesota.

Talk - Kelley Lindquist & Tio Aiken from Artspace

⏲ 42 min 27 sec ✓ 10-Dec-2022

Rabeda is a colorized, reversed, decelerated, delayed, and otherwise digitally distorted version of Peter Kubelka’s 1957 experimental film, Adebar. Using the original film’s seemingly sardonic cultural juxtaposition of European dance club imagery with an African tribal soundtrack, one intention of this new piece was to further amplify the ambiguous elements of an already largely ambiguous and often misunderstood work, while creating a separate and new aesthetic out of these initial image and

⏲ 1 min 10 sec ✓ 15-Dec-2016

Rabeda is a colorized, reversed, decelerated, delayed, and otherwise digitally distorted version of Peter Kubelka’s 1957 experimental film, Adebar. Using the original film’s seemingly sardonic cultural juxtaposition of European dance club imagery with an African tribal soundtrack, one intention of this new piece was to further amplify the ambiguous elements of an already largely ambiguous and often misunderstood work, while creating a separate and new aesthetic out of these initial image and

Rabeda (4 Screen Simulation)

⏲ 1 min 36 sec ✓ 16-Aug-2018

2018 - Ten-day musical residency supported by Le Festival des traditions du monde de Sherbrooke, between Daraa Tribes, a group of musicians from five different tribes in the Moroccan Sahara, RedTail Spirit Singers, Sacred Wolf Singers, Simon Denizart and dancers: Mike Wade, Jason Gullo Mullins, Benjamin Wawatay and Warren Papatie as well as Matthew Rutledge from Toronto.nnnDaraa TribesnA fusion of ancestral tribal music and Saharan Blues, Daraa Tribes comes from the oasis town of Tagounite in th

CULTURAL RESONANCE (English)

⏲ 8 min 15 sec ✓ 05-May-2023

Reprogramming the Human Heart explores the extraordinary scientific discovery of how Pluripotent Stem Cells are created; arguably one of the most important and dramatic developments in the history of stem cell research. It is one of four films exploring how the notions of ‘betterment’ and ‘care’ inform methodology and aspirations at The Jeffery Cheah Biomedical Centre, Cambridge University’s new centre of excellence for research into new medical treatments.n nAll cells in the body ar

Betterment and Care @ Capella

⏲ 98 sec ✓ 24-Mar-2019

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