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All Gates Open
⏲ 3 min 38 sec ✓ 28-Sep-2009
Wade Ryer Showreel 2011
⏲ 2 min 11 sec ✓ 09-Jul-2011
DEMO REEL RIG & CFX 2019
⏲ 1 min 43 sec ✓ 16-Apr-2019
Christian Stith - Technical Art Reel
⏲ 1 min 60 sec ✓ 08-Apr-2017
Houdini Reel
⏲ 64 sec ✓ 07-Apr-2017
La formicuzza e il grillo The ant and the cricket
⏲ 1 min 6 sec ✓ 18-Sep-2013
Festival Trailer 67. Internationale Kurzfilmtage Oberhausen
⏲ 49 sec ✓ 14-Apr-2021
Toyota Prius
⏲ 40 sec ✓ 21-Feb-2013
Linepithema
⏲ 30 sec ✓ 25-Mar-2017
VFX Breakdowns
⏲ 2 min 50 sec ✓ 14-Dec-2019
Lluís Danti :: Wake Up - MA ISCA Final Project
⏲ 3 min 76 sec ✓ 16-Sep-2008
Dan Lazarow April 2015 VFX Lighting Demo Reel
⏲ 1 min 19 sec ✓ 02-May-2015
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_all-gates-open.jpg "This was a 2nd year group project (2003/2004) for the BA in Computer Animation and Film Special Effects at Bournemouth University, with 6 members in the group. The plot is based upon a Philip K. Dick short story called 'The Electric Ant'.nnMy role in the project involved cinematography, lighting, editing, ambient sound, plot outline, and managing the renders. This was a very collaborative project, and we were all involved in most aspects of the production.nnThe other members of the team were:nDa")
_all-gates-open.webp "This was a 2nd year group project (2003/2004) for the BA in Computer Animation and Film Special Effects at Bournemouth University, with 6 members in the group. The plot is based upon a Philip K. Dick short story called 'The Electric Ant'.nnMy role in the project involved cinematography, lighting, editing, ambient sound, plot outline, and managing the renders. This was a very collaborative project, and we were all involved in most aspects of the production.nnThe other members of the team were:nDa")
_wade-ryer-showreel-2011.webp "Wade Ryernwaderyer@gmail.comnhttp://www.waderyer.comnnShowreel Breakdown:nnKung Fu Panda 2 - (2011)– Character Technical DirectornCharacters Rigged using “RIG” DreamWorks Animation proprietary software:nPeacock (Main Villain)–Facial riggingnMonkey –Facial riggingnCrane – Facial riggingnGorilla – Facial riggingnRhino – Facial riggingnPanda mom – Facial riggingnBunnies –Body riggingnAdditional dynamics and face rigging supportnnThe Tale of Despereaux – (2008) – Character Te")
_demo-reel-rig-amp-cfx-2019.webp "Hello,nnThis is my RIG and CFX demo reel with the work i done at Rodeo Fx the last 3 years.nnnShots breakdown:nn1. 00:05 | IT | Done pennywise rig | Mayann2. 00:15 | IT | Done pennywise facial and theeth rig | Mayann3. 00:20 | IT | Done pennywise facial and theeth rig | Maya - Houdininn4. 00:36 | Fantastic Beasts and Where to Find Them | Done the Mooncalf body rig and muscle setup | Mayann5. 00:57 | Miss Peregrine's Home for Peculiar Children | Done the vign generation setup, Done the vign simul")
_christian-stith-technical-art-reel.webp "Christian Stith Technical Art BreakdownnThe Ant Eater: Crowd SimulationnResponsible For: all animationnThis effect was built using Houdini 15 crowd simulation tools. To begin, I painted density across the environment geometry, and scattered ~2000 character points across the floor. Using a given Maya character rig, I animated five different looping crowd states of 100 frames each. Characters were oriented toward the pyramid and given randomized animation choice, offset, and speed, and character s")
_houdini-reel.webp "Christian Stith Houdini Reel BreakdownnThe Ant Eater: Crowd SimulationnResponsible For: all animationnThis effect was built using Houdini 15 crowd simulation tools. To begin, I painted density across the environment geometry, and scattered ~2000 character points across the floor. Using a given Maya character rig, I animated five different looping crowd states of 100 frames each. Characters were oriented toward the pyramid and given randomized animation choice, offset, and speed, and character sc")
_la-formicuzza-e-il-grillo-the-ant-and-the-cricket.webp "The video deals with the impossible love between a cricket and an ant.nBased on a tuscan popular nursery rhyme of peasant origin.nnConceptnAsmara Malinconico, Mattea Quaranta, Alessandro Paratoren/nLa formicuzza e il grillo, è un video d'animazione realizzato interamente in computer graficandurante il biennio specialistico in Visual Motion Design.nIl soggetto, è frutto della rielaborazione della omonima filastrocca toscana da cui il progetto nasce.nnCreditsnnIdeato danAsmara Malinconico, Matte")
_festival-trailer-67-internationale-kurzfilmtage-oberhausen.webp "by Christian SchönnnThe trailer was created with excerpts of the following short films: Princess Beauty @ Eszter Szabó, Tang Jër @ Selly Raby Kane, Birthday @ Yuka Sato, +x+=+ @ Niyaz Saghari, disjointed @ Clara Helbig, A Jurist for Nothing @ Lana Z Caplan, Dear Aki @ Nina Kurtela, Paanchika @ Ankit Kothari, Rumi X Phantasm @ Khavn, Trübes Wasser @ Elena Wiener, Nuevo Rico @ Kristian Mercado, Tracing Utopia @ Catarina de Sousa/Nick Tyson, Home @ Ngima Gelu Sherpa, Untitled Abisko @ Sophie Vu")
_toyota-prius.webp "New York. Paris. Tokyo. Kuala Lumpur. In this latest spot for Toyota Prius via Hakuhodo Malaysia and PRS Films, Cutting Edge created a series of stunning virtual cities and drove a CG Toyota Prius from one end to the other. nnWith the Prius taking centre stage, this meticulously crafted journey highlights the fuel efficiency and the environmental pedigree of the vehicle. nnModeling of the buildings and cities was completed in Maya and special attention was paid to the texturing to deliver a phot")
_linepithema.webp "In the Visual Effects industry, it Is common that 3D scenes are rendered out in many layers and then merged back together in compositing programs. This technique was developed in part to give the artist greater control of their final output, but also to help speed up otherwise long iteration times if the artist were to attempt to make all their tweaks within their 3D package alone. When Notch showed up on the scene, my first thought was how these traditional 3D rendering processes could be repla")
_vfx-breakdowns.webp "Here are some breakdowns from feature work done over the years. They tend to run long so I decided to put them in a separate reel, for anyone interested in the process. VFX is very much a team effort and I want to thank the inspiring team of artists I worked with at Scanline VFX and Prime Focus.nnSoftware: Maya / 3ds Max with V-Ray, Mari, Nuke, Adobe Photoshop and After Effects.nnStudios: Scanline VFX, Sony Pictures, Prime Focus and Uncharted Territory.nnFilms: Captain Marvel, Ant-Man, Tomb Raid")
_llus-danti-wake-up-ma-isca-final-project.webp "Final Project from 1 year CG Master at University of Balearic Islands. Done with Maya, After Effects & Photoshop.nnTalks about the feeling of being just a laborer ant inside the system.nnEnjoy!!")
_dan-lazarow-april-2015-vfx-lighting-demo-reel.webp "Demo Reel BreakdownnnAll work was completed at Method Studios, Reliance Mediaworks, and Rhythm and Hues Studios and is copyrighted to the respective film studios who produced and distributed the films.nn“Chronicles of Narnia: The Lion, the Witch, and the Wardrobe”(2005 Rhythm and Hues Studios)nLit and rendered all digital characters in this scene of the centaur leaping over the polar bears.nn“Seventh Son” (2013 Rhythm and Hues Studios)ntEnvironment Lighting Lead for matching and extend")
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