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Sheffield Wednesday legends talk about the Create A Dream Foundation
⏲ 1:1 👁 55.7M
𝐀𝐧𝐢𝐦𝐞 𝐥𝐚𝐧𝐝 𝟐.𝐎
⏲ 9 minutes 27 seconds 👁 12.9K
Oʟᴏʙᴀ Movie
⏲ 1 hour 45 minutes 👁 1.2K
生活在别处的我20 -What If (2024) EP20 END Full HD from legend of ancient sowrd hindi dubbed
⏲ 52:6 👁 5.2M
DC zak
⏲ 14 minutes 2 seconds 👁 5.9K
𝐀𝐧𝐢𝐦𝐞 𝐥𝐚𝐧𝐝 𝟐.𝐎
⏲ 1 hour 16 minutes 22 seconds 👁 131K
Legend of xianwu Episode 60 English Sub,<br/>Legend of xianwu Episode 60 sub indo,<br/>Legend of Martial Immortal (Legend of xianwu) Episode 60 Multiple Subtitles, The Legend of Xianwu Episode 60 english sub,<br/>The Legend of Xianwu Episode 60 sub indo ,<br/>Youku animation
⏲ 19:12 👁 37.9M
Godzilla x Kong The New Empire Movie Clip - Is that a mini Kong <br/><br/>Fight together or face extinctionDon’t miss out, Godzilla x Kong: The New Empire. Buy or rent the home premiere now!<br/><br/>The epic battle continues! Legendary Pictures’ cinematic Monsterverse follows up the explosive showdown of “Godzilla vs. Kong” with an all-new adventure that pits the almighty Kong and the fearsome Godzilla against a colossal undiscovered threat hidden within our world, challenging their very existence—and our own. “Godzilla x Kong: The New Empire” delves further into the histories of these Titans and their origins, as well as the mysteries of Skull Island and beyond, while uncovering the mythic battle that helped forge these extraordinary beings and tied them to humankind forever.<br/><br/>Once again at the helm is director Adam Wingard. The film stars Rebecca Hall (“Godzilla vs. Kong,” “The Night House”), Brian Tyree Henry (“Godzilla vs. Kong,” “Bullet Train”), Dan Stevens (“Gaslit,” “Legion,” “Beauty and the Beast”), Kaylee Hottle (“Godzilla vs. Kong”), Alex Ferns (“The Batman,” “Wrath of Man,” “Chernobyl”) and Fala Chen (“Irma Vep,” “Shang Chi and the Legend of the Ten Rings”).<br/><br/>The screenplay is by Terry Rossio (“Godzilla vs. Kong” the “Pirates of the Caribbean” series) and Simon Barrett (“You’re Next”) and Jeremy Slater (“Moon Knight”), from a story by Rossio & Wingard & Barrett, based on the character “Godzilla” owned and created by TOHO Co., Ltd. The film is produced by Mary Parent, Alex Garcia, Eric Mcleod, Thomas Tull and Brian Rogers. The executive producers are Wingard, Jen Conroy, Jay Ashenfelter, Yoshimitsu Banno, Kenji Okuhira.<br/><br/>Once again, Wingard is collaborating with director of photography Ben Seresin (“Godzilla vs. Kong,” “World War Z”), production designer Tom Hammock (“Godzilla vs. Kong,” “X,” “The Guest”), editor Josh Schaeffer (“Godzilla vs. Kong,” “Molly’s Game”), costume designer Emily Seresin (“The Invisible Man,” “Top of the Lake”). The composers are Tom Holkenborg (“Godzilla vs. Kong,” “Mad Max: Fury Road”) and Antonio Di Iorio (additional music on “Godzilla vs. Kong,” the “Sonic the Hedgehog” films).
⏲ 1:26 👁 4.4M
Those old, rundown buildings seem like they've got a story to tell. Well, turns out, they might actually be hiding some seriously spooky secrets! Think about it – those creaky floors and crumbling walls? Plus, who knows what kind of creepy crawlies have made those places their home over the years? And let's not forget about the possibility of cursed artifacts or ancient spirits lurking in the shadows, just waiting to unleash their wrath on unsuspecting intruders! So, if you ever stumble upon an old building that looks like it's seen better days, my advice? Proceed with caution, or better yet, steer clear altogether!Credit:<br/>Lead pipe: Andrew Dunn, CC BY-SA 2.0 https://creativecommons.org/licenses/by-sa/2.0/,https://en.wikipedia.org/wiki/File:Lead_pipe_-_Bath_Roman_Baths.jpg <br/>Lead Paint: Thester11, CC BY 3.0 https://creativecommons.org/licenses/by/3.0/,https://commons.wikimedia.org/wiki/File:Lead_Paint2.JPG<br/>CC BY-SA 3.0 https://creativecommons.org/licenses/by-sa/3.0/:<br/>Roman lead pipe: Chris 73, https://commons.wikimedia.org/wiki/File:Roman_lead_pipe_ostia_antica_03.jpg <br/>HomeEarthRodAustralia: Ali K, https://commons.wikimedia.org/wiki/File:HomeEarthRodAustralia1.jpg<br/>CC BY 4.0 https://creativecommons.org/licenses/by/4.0/:<br/>Aspergillus: Vyzhdova V,https://commons.wikimedia.org/wiki/File:Aspergillus_spp.jpg <br/>Aspergillus: Alexander Klepnev, https://commons.wikimedia.org/wiki/File:%D0%9A%D0%BE%D0%BD%D0%B8%D0%B4%D0%B8%D0%B8_aspergillus_niger_5.tif <br/>Animation is created by Bright Side.<br/><br/>----------------------------------------------------------------------------------------<br/>Music from TheSoul Sound: https://thesoul-sound.com/ <br/><br/>Check our Bright Side podcast on Spotify and leave a positive review! https://open.spotify.com/show/0hUkPxD34jRLrMrJux4VxV <br/><br/>Subscribe to Bright Side: https://goo.gl/rQTJZz <br/>----------------------------------------------------------------------------------------<br/>Our Social Media:<br/>Facebook: https://www.facebook.com/brightside <br/>Instagram: https://www.instagram.com/brightside.official<br/>TikTok: https://www.tiktok.com/@brightside.official?lang=en <br/><br/>Stock materials (photos, footages and other):<br/>https://www.depositphotos.com<br/>https://www.shutterstock.com<br/>https://www.eastnews.ru<br/>----------------------------------------------------------------------------------------<br/><br/>For more videos and articles visit:<br/>http://www.brightside.me
⏲ 8:12 👁 4.3M
An analysis of a 1.5 million-year-old vertebra from a human relative living in what is now Israel suggests that ancient humans dispersed out of Africa is multiple waves.
⏲ 3:52 👁 9.9M
Ancient Lords Episode 15 English Subtitles,<br/>Yishi Zhi Zun Episode 15 English Subtitles,
⏲ 15:54 👁 800K
Wearing jewellery is second nature to most of us, it’s something we barely think about. Along with our clothes, hair, make-up, jewellery is an expression of our style, a statement of how we see ourselves in the world.<br/>But unlike – say – a haircut or a new pair of jeans, jewellery reaches to something deeper. Crafted from precious metals and rare stones, our most treasured jewellery is often a token of love, given to mark a significant rite of passage in our lives: an important birthday, a wedding, a promise, an heirloom that links us to someone passed.<br/><br/>We invest the jewellery we love with special powers; these precious metals and stones become such a part of us that we feel lost without them – they seem to become connected to our personal strength and power.<br/><br/>Some might call it superstition, but for Hebden Bridge-based jeweller Toby Cotterill, it’s magic: “I think human beings are capable of magic.” he says, “We can all go beyond what we do in our everyday and get to a different place, and it can help us through hard times. I’m not saying that my jewellery is magic, it’s not me doing it, it’s people putting their emotions and memories and histories into a piece and giving it power.”<br/><br/>Throughout the world and since the beginning of time people have imbued jewellery with talismanic power. The objects we make from precious minerals and stones have been buried with us and long-outlasted skin and bone. Those ancient objects continue to exert an influence and connect us to the stories of people who lived before us.<br/><br/>In his tiny-but-perfectly-formed workshop in Hebden Bridge’s Northlight Studios, Toby sees himself as part of an ancient tradition, using tools and methods that jewellers and metalsmiths have refined and developed over thousands of years.<br/><br/>It’s a magical process to watch. Toby takes gold or silver, melts it, moulds it, cuts and hammers it, drills and files, heats it and plunges it into water, rolls it in sand – completely absorbed, at ease with his tools and lost in the making.<br/><br/>And somehow the metal takes on a new life, becomes something else – a shimmering beetle or fossil-like thing emerges. Something both ancient and alive at the same time, a moving, sparkling, precious thing with weight, something you want to touch…<br/><br/>One of four brothers, Toby’s childhood was spent in the hills and woods of the Welsh countryside: “Dad was a furniture maker, mum was a nurse.” he explains, “We didn’t have much money, but we were very happy. There was a move at the time toward self-sufficiency, so we had a small-holding, a few fields with maybe 20 sheep and a few pigs and cows. Mum and dad between them would work really hard, working the land and bringing us up. I think they wanted us to have that kind of childhood – grubby in the fields, learning the names of animals and plants and trees and just playing outside, making things.”
⏲ 3:51 👁 820K
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