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My new red colour car | my amazing car video | car | new cars | motor

I purchased new car: this is my new red colour car | car | cars | new car

⏲ 0:12 👁 20K

जाधव Plastic Enterprises

How To Identify White Pp And Grinding

⏲ 6 minutes 10 seconds 👁 916

TOMRA

PP PE Color Mix - INNOSORT FLAKE - Application Video

⏲ 59 seconds 👁 505

The most important details of Leo Frank's defense were the inconsistencies in his testimony. Jim Conley testified that Mary Phagan had arrived at the Pencil factory before Monte Stover, but the motor, man and conductor of the trolley asserted that she had gotten off at 12:10. Most witnesses agreed that it would have taken at least one half hour for the murder and movement of the body to the seller, the writing of the murder notes and Conley's hiding in the wardrobe to occur. However, there were only 30 minutes between 12:00 and 1230 that Frank's time was not accounted for. The defense called more than 20 witnesses to corroborate Frank's version of when the murder happened, where Frank had been, and at what time.<br/><br/>The first two witnesses, W.H. Matthews, motorman, and W.T. Hollis, conductor of the English Avenue car, testified that Mary Phagan got on at Lindsay Street at about 1150 and was alone. Herbert Schiff, assistant superintendent of the Pencil factory, testified to the system of business, the preparation of the financial sheet, the procedure for paying off employees and how the pencils are made. Miss Maddie Hall Stenographer from Montague testified that she finished her work, left around twelve two and punched the clock, and that Frank did not make up the financial sheet that Saturday morning. Miss Corinthia Hall swore that she was the four lady for the factory and got there Saturday around 11:30 a.m. with Mrs. Emma Clark Freeman. Miss Magnolia Kennedy swore that she was behind Helen Ferguson and Helen Ferguson did not ask for Mary Phagan's pay envelope. On cross examination, she stated that Barrett called her attention to the hair and her machine was right next to Mary's. Mary's hair was a light brown sandy color and she did not see the blood spots on the floor. Wade Campbell, another employee, was the brother of Mrs. White who told him about seeing the Negro on Saturday.<br/><br/>Lemme Quinn, foreman of the factory, testified that 100 women worked at the factory. He noticed the blood spots at the lady's dressing room on Monday and was in the office and saw Mr. Frank between 1220 and 1225. Several witnesses later testified that Quinn advised them he had visited Frank prior to noon in the factory the Saturday of the murder. Harry Denham, one of the carpenters on the fourth floor, testified that he was hammering about 40 feet from the elevator on April 26. Minola McKnight, the cook for the Seligs, testified that she worked for Mrs. Selig and cooked breakfast for the family on April 26.<br/><br/>Mr. Frank finished breakfast a little after 07:00 and came to dinner about 20 minutes after one. Her husband, Albert McKnight, wasn't in the kitchen that day between one and 02:00. Mr. Frank left that day sometime after 02:00 and next saw him at 06:30 at supper. She left about 08:00 and Mr. Frank was still at home when she left.<br/><br/>

The murder of little Mary Phagan - Vanessa Neubauer - Part 5 of 13

⏲ 1:30:42 👁 15K

Thomas Bean

Polypropylene Regrind

⏲ 29 seconds 👁 72

AMD® Color Sorter

HDPE and PP Separation with NIR Technology For Recycling

⏲ 1 minute 29 seconds 👁 1.8K

Coinciding with the Venice Art Biennale 2024, Roman Road presents a solo exhibition curated by Marisa Bellani dedicated to the artist Channatip Chanvipava. Titled “The Sound of Many Waters”, the show features eight new works that explore the notions of fixed identities, belonging and subjective memory. The exhibition is on view at Dimora ai Santi, Calle Larga Giacinto Gallina, Canneregio 6381, 30121, Venezia, and runs until May 27, 2024.<br/><br/>Channatip Chanvipava: The Sound of Many Waters. Venice (Italy), April 16, 2024.<br/><br/>Press text (excerpt):<br/><br/>Aligning with this year's Biennale theme 'Foreigners Everywhere’, Bellani turns to water as a powerful reference to address the concepts of queer identity and connection in a divided world. These are vibrantly expressed in Chanvipava’s work which navigates queer sensibilities with immense power and emotion. Water, in this instance, becomes a symbol of both connection and division, resonating with the complexities of queer identity.<br/><br/>Based in London, Channatip Chanvipava is a self-taught painter who embarked on his artistic journey after a degree in Economics, driven by an enduring passion for art cultivated since a young age. His unique style, marked by distinctive and bold brushstrokes inspired by the impressionists, seamlessly oscillates between abstraction and figuration. Notably, Chanvipava's compositions are characterized by layered, thick, and vibrant paint textures distinguished by vertical lines outlining forms. His organic and meditative artistic process relies on intuition and fragments of memory, pieced together to create a ‘tapestry’ of recollections. He navigates through colour as a vehicle to express form, bringing to light moments of reflection, contemplation and liberation. Without employing preliminary sketches or physical references, he paints directly on canvas and relies solely on memory and his acute understanding of space and depth.

Channatip Chanvipava: The Sound of Many Waters

⏲ 8:56 👁 10K

SHIVA INTERNATIONAL

PVC REGRIND GREY & WHITE

⏲ 28 seconds 👁 24

Satake USA

Satake FMS2000-F Sorting Mixed Color Plastic Regrind

⏲ 1 minute 7 seconds 👁 1.4K

Want to see more? Give the film a thumbs up! - Curious to see in B&W style? Watch it here - https://www.youtube.com/watch?v=CyYYHLygi3s<br/>Don't forget to SUBSCRIBE and HIT THE BELL for New Release Notifications! - http://bit.ly/scytsubs<br/><br/>After an unfortunate encounter in the garden, Simon’s Cat goes to great lengths to avoid an imminent visit to the vet. As always, the question remains - will his long-suffering owner Simon step up to the challenge?<br/><br/>After a successful crowdfunding campaign in 2014 to make a longer film, ‘Simon’s Cat: Off to the Vet' became the first 12 minute Simon's Cat film to be produced in full colour. <br/><br/>A HUGE thank you to all our Indiegogo Supporters. This film would not have been possible without you! <br/><br/>‘Simon’s Cat: Off to the Vet’ has screened at multiple film festivals around the world and was awarded The McLaren Award for Best British Animation at the Edinburgh International Film Festival 2016.<br/><br/>OFF TO THE VET CREDITS:<br/>Director: Simon Tofield<br/>Written By: Simon Tofield & Emma Burch<br/>Art Director: Isobel Stenhouse<br/>Producer: Emma Burch<br/>Associate Producer: Edwin Eckford<br/>Executive Producer: Mike Bell<br/>Background Artists: Isobel Stenhouse & Marc Moynihan<br/>Art Department Assistant: Liza Nechaeva<br/>Animation Supervisor: Isobel Stenhouse<br/>Animators: <br/>Laura Nailor<br/>Aya Suzuki<br/>Sandra Gaudi<br/>Emma Wakley<br/>Giulio de Tomo<br/>Sarah Airriess<br/>Gemma Roberts<br/>Slaven Reese<br/>Simon Tofield <br/>FX Animation: Reg Isaac <br/>Animation Assistants:<br/>Setareh Seto<br/>Freya Hotson<br/>Jessica Leslau<br/>Liza Nechava<br/>Emma Wakley<br/>Reg Isaac<br/>Nadia Hussein<br/>Aude Carpentier<br/>Jay Wren<br/>Colour Artists <br/>Fran Woodcock<br/>David Bell <br/>Tara Jane Peak<br/>Kelly Holmes<br/>Ludivine Berthoulox<br/>Compositor: Danielle Baiardini<br/>Story Advisor: Mark Solomon<br/>Production Assistant: Liza Nechaeva<br/>Character Voices: Simon Tofield<br/>Voice Recording: Dave Reynaud at Mcasso<br/>Foley SFX & Audio Mixing: Tom Martin at Mcasso<br/>Music Composer: Stuart Hancock for Mcasso<br/>Audio & Music Executive Producer: Tom Martin at Mcasso<br/>Music Producer: Matt Wyatt at Mcasso<br/><br/>Have you visited the official Simon's Cat website?<br/>Official Website: http://www.simonscat.com<br/><br/>Stay connected with Simon's Cat on your favourite websites:<br/>Facebook: http://facebook.com/simonscat<br/>Google+: http://plus.google.com/+SimonsCat<br/>Twitter: http://twitter.com/SimonsCat<br/>Instagram: https://www.instagram.com/simonscatof...<br/>Tumblr: http://simonscat.tumblr.com/<br/>Pinterest: http://pinterest.com/simonscat<br/><br/>Want to see more of our Black & White films? <br/>Check out our play list here: http://www.goo.gl/FkqgHw<br/><br/>Want to know more about the history of Simon's Cat?<br/>Watch the Simon's Cat Story here - http://goo.gl/Vfx2JS <br/><br/>FAQs:<br/><br/>Q. What's the background of 'Off to the Vet'?<br/>A. ‘Off to the Vet’ film production and crowdfunding campaign was a huge undertaking for the Simon’s Cat Team. Our hope is to produce more long form, full colour content for our fans but without having to turn to them through crowdfunding again. The film was completed in 2015 and submitted it to a selection of international film festivals over the following months. During this time, it was exclusively available to all funders that contributed via our private production blog. The feedback we have received from our funders has been overwhelming positive and we hope they are extremely proud of making the film a possibility. If you are a funder and have any questions regarding the campaign, please contact us at igg@simonscat.com<br/><br/>Q. What software do you use?<br/>A. Simon's Cat is made using Adobe Flash / TV Paint / CelAction animation software.<br/><br/>Q. Why does it take so long to make each Simon's Cat film?<br/>A. Even though the films are made on computer software, they are still hand-animated in a traditional manner, frame to frame. It usually takes between 12 and 25 drawings to create 1 second of a Simon's Cat film.<br/><br/>Q. Where can I buy Simon’s Cat merchandise?<br/>A. You can purchase Simon's Cat products from the official webshop: https://shop.simonscat.com/

Off to the Vet (Full Film in COLOUR) I A Simon’s Cat SPECIAL

⏲ 12:51 👁 65K

Navi Plastic Indo

PP (Polypropylene) Pellets Granules White Recycle Plastic

⏲ 23 seconds 👁 35

Ch z

TAIHO color sorter sorting PP(White & Yellow & Transparent) acceptwrite

⏲ 1 minute 23 seconds 👁 38

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