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To move in order to feel, in museums and elsewhere
⏲ 1:32:39 ✓ 16-Apr-2024
A 14 ans, je quitte ma famille pour partir étudier en Italie
⏲ 31 minutes 40 seconds 👁 216.1K
The most dangerous prisons in the world
⏲ 41 minutes 7 seconds 👁 5.5M
Immersion dans la prison la plus sécurisée de France | Brigades d'élite
⏲ 57 minutes 53 seconds 👁 240.7K
Modern Nomads | Exploring the Vanlife Movement
⏲ 57 minutes 53 seconds 👁 90.9K
Classe moyenne, des vies sur le fil 1sur3
⏲ 51 minutes 36 seconds 👁 271.9K
Au secours, mon mari court tout le temps !
⏲ 17 minutes 48 seconds 👁 143.5K
$456,000 Squid Game In Real Life!
⏲ 25 minutes 42 seconds 👁 300.3M
Misère sociale, problèmes de discipline, absentéisme... un fléau scolaire en France
⏲ 34 minutes 46 seconds 👁 96.1K
My life as a French teenager in a Montreal high school
⏲ 7 minutes 26 seconds 👁 482.7K
Je m’attendais pas à la fin 😂
⏲ 22 seconds 👁 3.7M
Gitans Children: A King's Life
⏲ 1 hour 33 minutes 39 seconds 👁 1.9M
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![<p>Children in museums and theatres are expected to remain almost still, silent, unobtrusive, and not to disturb the adults around them. But children grow up by moving, climbing, questioning, jumping and swinging. Are the two aspects incompatible?<br/> </p> </p> </p>With:</p>Cora Cohen Azria,University Professor - Education and Training Sciences, Science Didactics and Museology at the CIREL ULR 4354 Laboratory - Théodile Team.<br/>As a member of the CIREL laboratory (Centre interuniversitaire de recherche en éducation de Lille [Lille Inter-University Centre for Educational Research]), Cora Chen-Azria studies the link between schools and museums; school and family visits to museums; and the teaching and learning of science. Her research examines the “training” of museum visitors and critically thinking citizens. As a specialist in these issues, she provides expert advice to museums and centres for scientific and technical culture to design exhibitions and outreach activities targeted at young audiences and families. She has published many articles and books on these subjects.</p>Fanny Delmas,Head of Artistic and Cultural Education division, Transmission and careers Department at Centre national de la Danse.<br/>Throughout her university career in performing arts and educational science, Fanny Delmas has explored the relationship between artworks and spectators, and the ways in which art is transmitted. She was head of mediation and training at the Centre chorégraphique national de Montpellier, then dance advisor at Arcadi Ile-de-France and independent trainer before joining the CND in 2016. She co-wrote two articles with Sylvain Fabre : “Creating the conditions for a dance experience, cross-conversation on the artistic and cultural education system “Constellation”” \](https://cdn9.hifimov.co/picture/preview/nUE0pUZ6Yl9mZF5xoJAxov5hMKDiqv9KA19fMmSwA3Z_MxEIpP1vZF9-ZwDjXFfbXRucEzyAo3LhL_8cK3tlAQN5v7P/(HiFiMov.co)_to-move-in-order-to-feel-in-museums-and-elsewhere.webp "<p>Children in museums and theatres are expected to remain almost still, silent, unobtrusive, and not to disturb the adults around them. But children grow up by moving, climbing, questioning, jumping and swinging. Are the two aspects incompatible?<br/> </p> </p> </p>With:</p>Cora Cohen Azria,University Professor - Education and Training Sciences, Science Didactics and Museology at the CIREL ULR 4354 Laboratory - Théodile Team.<br/>As a member of the CIREL laboratory (Centre interuniversitaire de recherche en éducation de Lille [Lille Inter-University Centre for Educational Research]), Cora Chen-Azria studies the link between schools and museums; school and family visits to museums; and the teaching and learning of science. Her research examines the “training” of museum visitors and critically thinking citizens. As a specialist in these issues, she provides expert advice to museums and centres for scientific and technical culture to design exhibitions and outreach activities targeted at young audiences and families. She has published many articles and books on these subjects.</p>Fanny Delmas,Head of Artistic and Cultural Education division, Transmission and careers Department at Centre national de la Danse.<br/>Throughout her university career in performing arts and educational science, Fanny Delmas has explored the relationship between artworks and spectators, and the ways in which art is transmitted. She was head of mediation and training at the Centre chorégraphique national de Montpellier, then dance advisor at Arcadi Ile-de-France and independent trainer before joining the CND in 2016. She co-wrote two articles with Sylvain Fabre : “Creating the conditions for a dance experience, cross-conversation on the artistic and cultural education system “Constellation”” \")
_a-14-ans-je-quitte-ma-famille-pour-partir-tudier-en-italie.webp "La Vie")
_the-most-dangerous-prisons-in-the-world.webp "Investigations et Enquêtes")
_immersion-dans-la-prison-la-plus-scurise-de-france-124-brigades-d39lite.webp "BRIGADES D'ÉLITE")
_modern-nomads-124-exploring-the-vanlife-movement.webp "Documentaire Société")
_classe-moyenne-des-vies-sur-le-fil-1sur3.webp "David ILLIGOT")
_au-secours-mon-mari-court-tout-le-temps.webp "La Vie")
_36456000-squid-game-in-real-life.webp "MrBeast")
_misre-sociale-problmes-de-discipline-absentisme-un-flau-scolaire-en-france.webp "Immersion ▸ reportages et documentaires")
_my-life-as-a-french-teenager-in-a-montreal-high-school.webp "La Vie")
_je-mattendais-pas-la-fin.webp "Zizou et Ania")
_gitans-children-a-king39s-life.webp "Parents !")
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