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Asif, a Muslim married to a Hindu, who, for reasons too convoluted to explain, becomes possessed by the spirit of a transwoman Laxmii. When he is under her spell, Asif ferociously clicks his teeth and even lets out a sort of war cry. We get so many close-ups that I started admiring how clean Akshay's teeth are. As I watched, I also wondered, how many communities will Akshay save? In Airlift, he saved Indian migrants in the Middle East; In Toilet: Ek Prem Katha, he saved women from the humiliation of defecating outdoors; in Padman, he once again came to the rescue, playing a man who creates low-cost sanitary napkins; in Kesari, as Havaldar Ishar Singh, he rescues a fort and Sikh honor; and now as Laxmii, he bats for transgenders and also throws in a few strokes for Muslims and a child with special needs. It's a heavy load. Which might be why his performance feels delivered in auto-pilot mode.<br/><br/>Laxmii is the remake of a Tamil film called Kanchana, written and directed by Raghava Lawrence, who also played the lead in that film. In Kanchana, his character, also called Raghava, isn't heroic. He's a cowardly man, so afraid of ghosts that he sleeps next to his mother and even insists that she accompany him to the bathroom. Some of the pleasure in that film was watching this wimp transform into the avenging angel Kanchana. Raghava has directed Laxmii but perhaps him and co-writers Farhad Samji, Sparsh Khetarpal and Tasha Bhambra who did the adaptation and dialogue, didn't want to risk downsizing their star. So Asif is some sort of ghostbuster. From his first scene itself, he is in savior mode, rescuing people from fraud babas. Kanchana was made in 2011. It's loud, simplistic and problematic in terms of representation. But Raghava created moments of cheesy fun and it was satisfying to see Kanchana ultimately get her revenge. The high pitch and stereotyping has not aged well and so much has been lost in translation. The tweaks to the original have only made this version worse – the interfaith marriage angle is laughably lame. Kiara Advani plays Asif's wife Rashmi. She does little except calisthenic dancing at the Burj Khalifa and widening her eyes as her husband behaves erratically. Rashmi's family disowned her when she ran away with Asif. They are offended that he is Muslim but not one person seems to notice the difference in age. Also Read: Laxmii, Starring Akshay Kumar, Is A Tone-Deaf Horror Comedy The writing is awful. The message of inclusion is noble but also obviously fraudulent because the film itself contradicts it. There is so much shrieking that it might induce a headache and perhaps the worst sin – the ghost, before it enters Asif's body, is basically a wig with a fan behind it.
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Sayful Shanto OfficiaL
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Sayful Shanto OfficiaL
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#jaanejahan #hamzaaliabbasi #ayezakhan<br/>Jaan e Jahan Episode 39 | Digitally Presented by Master Paints, Sparx Smartphones& Jazz | 17th May 2024 | ARY Digital<br/><br/>Watch all the episodes of Jaan e Jahan<br/>https://bit.ly/3sXeI2v<br/><br/><br/>Subscribe NOW https://bit.ly/2PiWK68<br/><br/><br/>The chemistry, the story, the twists and the pair that set screens ablaze…<br/><br/>Everyone’s favorite drama couple is ready to get you hooked to a brand new story called…<br/><br/>Writer: Rida Bilal <br/>Director: Qasim Ali Mureed<br/><br/>Cast: <br/>Hamza Ali Abbasi, <br/>Ayeza Khan, <br/>Asif Raza Mir, <br/>Savera Nadeem,<br/>Emmad Irfani, <br/>Mariyam Nafees, <br/>Nausheen Shah, <br/>Nawal Saeed, <br/>Zainab Qayoom, <br/>Srha Asgr and others.<br/><br/>Watch Jaan e Jahan every FRI & SAT AT 8:00 PM on ARY Digital<br/><br/>#jaanejahan #hamzaaliabbasi #ayezakhan#arydigital #pakistanidrama
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Sm Riyajul
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Asif Akbar
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ARY News 11 AM Headlines 11th May 2024 | NAB big relief to Asif Zardari
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Soundtek
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Soundtek
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Come join us on this journey of friendship, love, and betrayal #CokeStudio #Season14 #KanaYaari<br/><br/>Listen on Spotify: https://spoti.fi/3o3oPx5<br/><br/><br/>Coke Studio 14<br/>Curated & Produced by Xulfi<br/><br/>Song Narrative: Kaifi Khalil<br/>Composed by Kaifi Khalil<br/>Written by Kaifi Khalil, Eva B, Wahab Bugti<br/>Music Arranged & Produced by Abdullah Siddiqui, Xulfi, Arsalan Hasan, Sherry Khattak<br/>Mixed by Xulfi<br/><br/>Artist<br/><br/>Kaifi Khalil- Vocals<br/>Eva B - Vocals<br/>Wahab Bugti - Vocals / Damboora<br/>Ameer Buksh - Dambora<br/>Arsalan Hassan - Keys<br/>Kami Paul - Drums<br/>Mairah Khan - Balalaika<br/>Payam Mashrequi - Synth<br/>Omair Farooq - Synth Bass<br/>Haroon Daniel - Octapad<br/>Veeru Shan - Percussions<br/><br/>Produced By GIRAFFE PAKISTAN<br/><br/>Executive Producer: Muhammad Ibrahim<br/>Creative & Project Head: Wajeeha Badar<br/>Creative Manager: Sherry Khattak<br/>Creative Manager: Zahra Aamer<br/>Operations Manager: Saad Mansoor<br/>Creative Associate: Sarah Aminuddin<br/>Creative Associate: Seemab Saqib Khan<br/>Sound Squad Coordinator: Shahrukh Khattak<br/>On-Ground Coordinator: Abdullah Khan<br/><br/>Sound Squad<br/><br/>Chief Sound Engineer: Ishaq Nazir<br/>Audio Electrical Engineer: Muhammad Saifullah<br/>Senior Audio Engineer: Sherry Khattak<br/>Senior Recording Engineer: Turaab Khan<br/>Audio Networking Engineer: Omair Farooq<br/>Audio Engineer: Payam Mashrequi<br/>Audio Engineer: Zyad Ahmed Tariq<br/>Audio Engineer: Malik Arslan<br/>Audio Engineer: Asad Khan (Psydfx)<br/>Monitoring Assistant: Yashwa Ayub<br/>Senior Monitoring Engineer: Haider Ali<br/>Senior Monitoring Engineer: Roger John<br/>Senior Monitoring Engineer: Saqlain Majeed<br/>Audio Assistant: David Joseph<br/><br/>Talent Management<br/><br/>Adil Naeem<br/>Shahdad Karim<br/>Ahsan Aziz<br/>Jahanzeb Kalmati<br/>Sheraz Farooqui<br/>Faisal Rafiq<br/><br/><br/><br/>Think Tank<br/><br/>Zulfiqar Jabbar Khan (Xulfi)<br/>Murtaza Niaz<br/>Abdullah Siddiqui<br/>Natasha Noorani<br/>Adnan Dhool<br/>Sherry Khattak<br/><br/>Line Production<br/>Qamber Ali (Celcius)<br/>Mir Mehmood Ahmed Halepota (Celcius)<br/><br/><br/><br/><br/><br/><br/><br/>Video Production <br/><br/>Director: Jamal Rahman<br/><br/>Producer: Samiya Ansari<br/><br/>Video Production Company: Monkey Mind Films<br/><br/>Associate Producer: Carol Noronha<br/><br/>Cinematographer: Aamir Mughal<br/><br/>Assistant Directors: Ubaid Aamir Temuri<br/><br/>Art Director: Hashim Ali<br/><br/>Set Designer: Mahina Reki<br/><br/>Set Construction: Nauman Kashif at Art Revolver<br/><br/>Set Team: <br/>Salman Arif<br/>Muhammed Shehzad<br/>Aman Niazi<br/>Muneeb Iftakhar<br/><br/>Wardrobe Designer: Samiya Ansari<br/><br/>Wardrobe Assistant: Jibrael Hassan<br/><br/>Hair & Make-up: Shammal Qureshi at Toni & Guy<br/><br/>Gaffers: Asif Hasan, Fahim at Studio 146<br/><br/>Focus Pullers: Zeeshan Saeed<br/><br/>Camera & DIT: Studio 146<br/><br/>Steadicam Operator: Faraz Alam<br/><br/>Steadicam Assistant: Dilawar Ali Shah<br/><br/>Choreographer<br/>Danny Daniel Davies<br/><br/>Lights: MediaLine<br/><br/>Light Team:<br/>Bilal shah <br/>Ghufran shYkh<br/>Arbaz sabzwari<br/>Umer faiyaz<br/>Shariq ayub<br/>Amir ali<br/>Shan kamran<br/>Akmal khan<br/>Zuabir lodhi<br/>Bilal khan<br/>Saif ali<br/>Tanveer khan<br/>Mehtab mallah<br/><br/>Transport<br/>Saleem Jalal Transport<br/><br/>Post: <br/>Editing: Jamal Rahman<br/>Colorist: Wahab Danka<br/>Cleanups: Post Fusion<br/><br/>Transport<br/>Al Alam Rentals<br/>Bukhari Travels<br/><br/>Catering<br/>Ronaq<br/><br/>Photography: Nadir Firoz Khan<br/><br/>BTS (O Dimension)<br/>Producer(BTS): Moiz Qazi <br/>Associate Producer (BTS): Am
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Soundtek
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Asif Akbar
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